Lee Tracy |
NEGATIVE TO POSITIVE ©2014 Edition of 10 A book documenting the Negative to Positive Installation. A 25 page 7"x 7"x .5" limited edition book exposing a tale told with brain scans etched with thoughts taken from my journals. This artwork begins to scratch the surface and is a good entry point into my cosmology. NEGATIVE TO POSITIVE Prepare for the experience that will deconstruct your beliefs. The wish that you were granted is coming true now. It is always all about you. This wound is part of the cosmic order. Not everyone will be happy with what you do. You are stepping out of your shoes with each step. Look for the tulips in rude people's eyes. It is only a rocky cliff with monsters on it. Quick, walk down the first plank that you see. Each thought gets a new wrinkle. Should I just trust myself. I am so organized that I am not. It is time to rest. There are two of everyone. Just playing, not dead. Beethoven sends his love and Blake enjoyed meeting you. Not true, too bad, nothing, so what. Silence but for the clouds moving across the sky. You only think that you want to live down a 10 min driveway. Your teeth are still here and there was no cliff. Dissolve, become dissolve, become, dissolve become dissolve, become dissolve. Everyone thinks that you are nuts. A dream that does not end. All of you are in shock, you the most. You are a wild animal running in dirt soon to be free. Throw stuff out there. Because we are creative, we will have lots of fun. You are not alone. Is it starting to make sense? It is all so amazing. Do not let too many people in here--I will tell you who. I really love your art. We know that you were hurt, it is why we are here. Make promises and when others break them. Be quiet in the world now. Read other book text here. | PAINTING 1991-1995 1996-2000 2001-2005 2006-2010 2011-2014 MINI-SERIES 1990 Peppers, Seeds, and Rotting Vegetables 1996 What I painted when I could not paint 2005 For the Birds 2007 Butterflies are free 2011 The Year The Permafrost Softened WORKS ON PAPER 1988-1989 Chairs 1989-1990 Umbrellas 1991-1998 1997 The Chase 1998 Dismantled Sketchbooks 1999 Ragdale Series 2000-2004 Collage Art 2002 Charcoal 2000-2004 Figure Drawing 2000-2005 Project Art 2000 Spinning Plates 2002 Fan Collages 2001 Screaming In Places Where I Can't Be heard 2004 Wonderscapes 2005-2006 The Story of the Universe 2008 Buddha Was Here 2009 Life On Hold (NFS) 2010-2016 The Demandments (NFS) MIXED MEDIUM 1995-1998 Sectioned panels 1997-1998 White Paintings and Furry Work 1998 Red Dot Series 2001-2009 Wax, Wire, Gold, Globe, and Glass 2001 How Things Pile Up 2002 Retablos, oil on metal OBJECT ART 2002-present Project Items Historic-present Fane Items 1550-1560 Ancestral Figure Drawings 2002-2016: Paradise 2006: Negative to Positive 2007-present: Four walls* 2008: Found 2010-present: Teacups for Reading Tea Leaves 2011-present: Waterworks* 2000-present: My Crates PERFORMATIVE 2004: White Sands 2006: Blue Clouds LIBRARY OF BOOKS 2000-present Painting Inventory Book of Days Whitewash The Ragdale Book Brain Book Ransom Magazine Box of Tears Pocket Full of Cries Europe Mongolia Flower Book Retablos: How I Got From Here to Here The Fane Pamphlet Scroll of Influence The Story of Red Trees Red Trees History Red Trees Chronicle Red Trees Prayerbook Red Trees Kakemono Book of Leaves Elemental Communion Found: Journals from the future Symbol Book Books of Sense Organ Origin The Wedding Program The Wedding Book I Must Go Ladder Book* Book of Stairs* The Studio Visit Playbill* Flower Book 2* ...continued STUDIO PRACTICE Studio 1: Dayton and Blackhawk Studio 2: Hubbard and House Project scouting and on location Works in progress Exhibits, happenings, homes Studio clippings and announcements Artist WORLD RIVERS PROJECT overview World Rivers: Curtain World Rivers: Participants World Rivers: Rivers World Rivers: Cloth Visit the River Log TEXT ARCHIVE Artwork Installation Books * documentation is forthcoming This archive is a creative history spanning two decades. The documentation is comprised of many technological formats ranging from slides, 4x5s, photographs, and straddles the introduction of digital formatting of the time. The goal was to preserve images, whether high or low resolution. |
Lee Tracy |