Lee Tracy
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White Paintings
Recycle 16x18 plastic, oil on canvass Recycle 16x18 plastic, oil on canvas Wrap 25x26 bubble wrap, oil on canvas Indoor:outdoor 51x46 turf, oil on canvas Linen 45x55 canvas, oil on canvas Refuse 40x50 plastic over carpet, oil on canvas Wool rug 39x48 wool carpet, oil on canvas Sandpaper 44x44 sandpaper, oil on canvas Screen 36x40 oil and screen on canvas Towel 54x48 terry cloth, oil on canvas Upholstery 62x68 vinyl, oil on canvas Faux 54x54 faux fur, oil on canvas Fuzzy V’s130-6x6 oil and faux fur on canvas Flock 72x96 oil and velvet on 48-12” x 12” panels 1998 Drought 77x85 faux fur, oil on canvas Net 80x92 faux fur, oil on canvas Oil 70x80 faux fur, oil on canvas Reservoir 84x96 faux fur, oil on canvas Runoff 72x96 faux fur, oil on canvas Two pears 2-10x8 oil and collage on canvas blue1small blue2small blue3small blue4small
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  Mixed Medium ©1997-2003
  A phase of fascination with texture and other materials embed in oil paint.


  WHITE PAINTINGS, mixed medium with oil on canvas ©1997
  Sandpaper, outdoor turf, bubble wrap, screen, carpet, plastic bags and more create a body of work responding to stories that I've heard
  about earthly creatures.

  FUZZY Vs, oil and faux fur on 130 - 6x6 small canvases ©1998
  Fuzzy Vs, or bolero pants when upside down, mean nothing but fun and a study of color and endurance.

  FLOCK, oil and velvet on 48 - 12x12 panels ©1998
  Bird silhouettes of dark velvet cross the deep blue sky while slowed by a grid.

  FURRY WORKS, faux fur and oil paint on canvas ©1998
  Fish stuck in water in a response to the stories that explain the top reasons for their depletion.

  BLUE SHOW, 10x10 panel thread, yarn, tape, applique and oil paint ©2003
  Four panels express the process of getting unstuck.





























































































PAINTING
1991-1995
1996-2000
2001-2005
2006-2010
2011-2014

MINI-SERIES
1990 Peppers, Seeds, and Rotting Vegetables
1996 What I painted when I could not paint
2005 For the Birds
2007 Butterflies are free
2011 The Year The Permafrost Softened

WORKS ON PAPER
1988-1989 Chairs
1989-1990 Umbrellas
1991-1998
1997 The Chase
1998 Dismantled Sketchbooks
1999 Ragdale Series
2000-2004 Collage Art
2002 Charcoal
2000-2004 Figure Drawing
2000-2005 Project Art
2000 Spinning Plates
2002 Fan Collages
2001 Screaming In Places Where I Can't Be heard
2004 Wonderscapes
2005-2006 The Story of the Universe
2008 Buddha Was Here
2009 Life On Hold (NFS)
2010-2016 The Demandments (NFS)

MIXED MEDIUM
1995-1998 Sectioned panels
1997-1998 White Paintings and Furry Work
1998 Red Dot Series
1995-1998 Wax, Wire, Gold, Globe, and Glass
2001 How Things Pile Up
2002 Retablos, oil on metal

OBJECT ART
2002-present Project Items
Historic-present Fane Items
1550-1560 Ancestral Figure Drawings

INSTALLATION
2002-2016 Paradise
2006 Negative to Positive
2007-present Four walls*
2008 Found
2010-present Teacups for Reading Tea Leaves
2011-present Waterworks*
2000-present My Crates

PERFORMATIVE
2004 White Sands
2006 Blue Clouds

LIBRARY OF BOOKS 2000-present
Painting Inventory
Book of Days
Whitewash
The Ragdale Book
Brain Book
Ransom Magazine
Box of Tears
Pocket Full of Cries
Europe
Mongolia
Flower Book
Retablos: How I Got From Here to Here
The Fane Pamphlet
Scroll of Influence
The Story of Red Trees
Red Trees History
Red Trees Chronicle
Red Trees Prayerbook
Red Trees Kakemono
Book of Leaves
Elemental Communion
Found: Journals from the future
Symbol Book
Books of Sense
Organ Origin
The Wedding Program
The Wedding Book
I Must Go
Ladder Book*
Book of Stairs*
The Studio Visit Playbill*
Flower Book 2*
...continued

STUDIO PRACTICE
Studio 1: Dayton and Blackhawk
Studio 2: Hubbard and House
Project scouting and on location
Works in progress
Exhibits, happenings, homes
Studio clippings and announcements
Artist

WORLD RIVERS PROJECT overview
World Rivers: Curtain
World Rivers: Participants
World Rivers: Rivers
World Rivers: Cloth
Visit the River Log

TEXT ARCHIVE
Artwork
Installation
Books

* documentation is forthcoming
This archive is a creative history spanning two decades.
The documentation is comprised of many technological
formats ranging from slides, 4x5s, photographs, and
straddles the introduction of digital formatting of the time.
The goal was to preserve images, whether high or low resolution.






Lee Tracy
ART
PROJECTS
STORY
ARCHIVE
ARTIST
LEEWAY ROOM
NEWS
CONTACT